Read Pygmalion and Three Other Plays (Barnes & Noble Classics Series) Online
Authors: George Bernard Shaw
Pygmalion and Three Other Plays (Barnes & Noble Classics Series) (52 page)
BOOK: Pygmalion and Three Other Plays (Barnes & Noble Classics Series)
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THE NOTE TAKER I can.
[Reads, reproducing her pronunciation
exactly] “Cheer ap, Keptin; n’ baw ya flahr orf a pore gel.”
[Reads, reproducing her pronunciation
exactly] “Cheer ap, Keptin; n’ baw ya flahr orf a pore gel.”
THE FLOWER GIRL
[much distressed]
It’s because I called him Captain. I meant no harm.
[To the gentleman
] Oh, sir, dont let him lay a charge agen me for a word like that. You—
[much distressed]
It’s because I called him Captain. I meant no harm.
[To the gentleman
] Oh, sir, dont let him lay a charge agen me for a word like that. You—
THE GENTLEMAN Charge! I make no charge.
[To the note taker]
Really, sir, if you are a detective, you need not begin protecting me against molestation by young women until I ask you. Anybody could see that the girl meant no harm.
[To the note taker]
Really, sir, if you are a detective, you need not begin protecting me against molestation by young women until I ask you. Anybody could see that the girl meant no harm.
THE BYSTANDERS GENERALLY
[demonstrating against police espionage]
Course they could. What business is it of yours? You mind your own affairs. He wants promotion, he does. Taking down people’s words! Girl never said a word to him. What harm if she did? Nice thing a girl cant shelter from the rain without being insulted, etc., etc., etc.
[She is conducted by the more sympathetic demonstrators back to her plinth, where she resumes her seat and struggles with her emotion.
]
[demonstrating against police espionage]
Course they could. What business is it of yours? You mind your own affairs. He wants promotion, he does. Taking down people’s words! Girl never said a word to him. What harm if she did? Nice thing a girl cant shelter from the rain without being insulted, etc., etc., etc.
[She is conducted by the more sympathetic demonstrators back to her plinth, where she resumes her seat and struggles with her emotion.
]
THE BYSTANDER He aint a tec. Hes a blooming busybody: thats what he is. I tell you, look at his boots.
THE NOTE TAKER
[turning on him genially]
And how are all your people down at Selsey?
[turning on him genially]
And how are all your people down at Selsey?
THE BYSTANDER
[suspiciously]
Who told you my people come from Selsey?
[suspiciously]
Who told you my people come from Selsey?
THE NOTE TAKER Never you mind. They did. [To the girl] How do you come to be up so far east?You were born in Lisson Grove.
THE FLOWER GIRL
[appalled]
Oh, what harm is there in my leaving Lisson Grove? It wasnt fit for a pig to live in; and I had to pay four-and-six a week.
[In tears]
Oh, boo-hoo-oo-
[appalled]
Oh, what harm is there in my leaving Lisson Grove? It wasnt fit for a pig to live in; and I had to pay four-and-six a week.
[In tears]
Oh, boo-hoo-oo-
THE NOTE TAKER Live where you like; but stop that noise.
THE GENTLEMAN
[to the girl]
Come, come! he cant touch you: you have a right to live where you please.
[to the girl]
Come, come! he cant touch you: you have a right to live where you please.
A SARCASTIC BYSTANDER
[thrusting himself between the note taker and the gentleman]
Park Lane, for instance. Id like to go into the Housing Question with you, I would.
[thrusting himself between the note taker and the gentleman]
Park Lane, for instance. Id like to go into the Housing Question with you, I would.
THE FLOWER GIRL
[subsiding into a brooding melancholy over her basket, and talking very low-spiritedly to herself
] I’m a good girl, I am.
[subsiding into a brooding melancholy over her basket, and talking very low-spiritedly to herself
] I’m a good girl, I am.
THE SARCASTIC BYSTANDER
[not attendins
to her] Do you know where
I
come from?
[not attendins
to her] Do you know where
I
come from?
THE NOTE TAKER
[promptly]
Hoxton.
[promptly]
Hoxton.
Titterings.
Popular interest in the note
taker’s
performance increases.
Popular interest in the note
taker’s
performance increases.
THE FLOWER GIRL
[still nursing her sense of injury]
Aint no call to meddle with me, he aint.
[still nursing her sense of injury]
Aint no call to meddle with me, he aint.
THE BYSTANDER [to her] Of course he aint. Dont you stand it from him.
[To the note taker]
See here: what call have you to know about people what never offered to meddle with you? Wheres your warrant?
[To the note taker]
See here: what call have you to know about people what never offered to meddle with you? Wheres your warrant?
SEVERAL BYSTANDERS
[encouraged by this seeming point of law]
Yes: wheres your warrant?
[encouraged by this seeming point of law]
Yes: wheres your warrant?
THE FLOWER GIRL Let him say what he likes. I dont want to have no truck with him.
THE BYSTANDER You take us for dirt under your feet, dont you? Catch you taking liberties with a gentleman!
THE SARCASTIC BYSTANDER Yes: tell him where he come from if you want to go fortune-telling.
THE NOTE TAKER Cheltenham, Harrow, Cambridge, and India.
THE GENTLEMAN Quite right.
[Great laughter. Reaction in the note taker’s favor. Exclamations of
He knows all about it. Told him proper. Hear him tell the toff where he come from? etc.]. May I ask, sir, do you do this for your living at a music hall?
4
[Great laughter. Reaction in the note taker’s favor. Exclamations of
He knows all about it. Told him proper. Hear him tell the toff where he come from? etc.]. May I ask, sir, do you do this for your living at a music hall?
4
THE NOTE TAKER Ive thought of that. Perhaps I shall some day.
The rain has stopped; and the persons on the outside of the crowd begin to drop off.
THE FLOWER GIRL
[resenting the reaction]
Hes no gentleman, he aint, to interfere with a poor girl.
[resenting the reaction]
Hes no gentleman, he aint, to interfere with a poor girl.
THE DAUGHTER
[out of patience, pushing her way rudely to the front and displacing the gentleman, who politely retires to the other side of the pillar]
What on earth is Freddy doing? I shall get pneumonia if I stay in this draught any longer.
[out of patience, pushing her way rudely to the front and displacing the gentleman, who politely retires to the other side of the pillar]
What on earth is Freddy doing? I shall get pneumonia if I stay in this draught any longer.
THE NOTE TAKER
[to himself, hastily making a note of her pronunciation of “monia”
] Earlscourt.
[to himself, hastily making a note of her pronunciation of “monia”
] Earlscourt.
THE DAUGHTER
[violently]
Will you please keep your impertinent remarks to yourself?
[violently]
Will you please keep your impertinent remarks to yourself?
THE NOTE TAKER Did I say that out loud? I didnt mean to. I beg your pardon. Your mother’s Epsom, unmistake ably.
THE MOTHER
(advancing between her daughter and the note taker]
How very curious! I was brought up in Largelady Park, near Epsom.
(advancing between her daughter and the note taker]
How very curious! I was brought up in Largelady Park, near Epsom.
THE NOTE TAKER
[uproariously
amused] Ha! ha! What a devil of a name! Excuse me. [To the daughter] You want a cab, do you?
[uproariously
amused] Ha! ha! What a devil of a name! Excuse me. [To the daughter] You want a cab, do you?
THE DAUGHTER Dont dare speak to me.
THE MOTHER Oh, please, please Clara.
[Her daughter repudiates her with an angry shrug and retires haughtily].
We should be so grateful to you, sir, if you found us a cab.
[The note taker produces a whistle].
Oh, thank you.
[She joins her daughter
]
.
[Her daughter repudiates her with an angry shrug and retires haughtily].
We should be so grateful to you, sir, if you found us a cab.
[The note taker produces a whistle].
Oh, thank you.
[She joins her daughter
]
.
The note taker blows
a piercing blast.
a piercing blast.
THE SARCASTIC BYSTANDER There! I knowed he was a plain-clothes copper.
THE BYSTANDER That aint a police whistle: thats a sporting whistle.
THE FLOWER GIRL
[still preoccupied with her wounded feelings]
Hes no right to take away my character. My character is the same to me as any lady’s.
[still preoccupied with her wounded feelings]
Hes no right to take away my character. My character is the same to me as any lady’s.
THE NOTE TAKER I dont know whether youve noticed it; but the rain stopped about two minutes ago.
THE BYSTANDER So it has. Why didnt you say so before? and us losing our time listening to your silliness. [He
walks off towards
the
Strand].
walks off towards
the
Strand].
THE NOTE TAKER
[helpfully]
Hanwell.
[helpfully]
Hanwell.
THE SARCASTIC BYSTANDER
[affecting great distinction of speech]
Thenk you, teacher. Haw haw! So long
[he touches his hat with mock respect and strolls off
]
.
[affecting great distinction of speech]
Thenk you, teacher. Haw haw! So long
[he touches his hat with mock respect and strolls off
]
.
THE FLOWER GIRL Frightening people like that! How would he like it himself.
THE MOTHER It’s quite fine now, Clara. We can walk to a motor bus. Come. [She gathers her skirts
above
her
ankles and
hurries
off
]
towards
the
Strand].
above
her
ankles and
hurries
off
]
towards
the
Strand].
THE DAUGHTER But the cab—[
her
mother is out
of hearing
]
.
Oh, how tiresome!
[She follows angrily].
her
mother is out
of hearing
]
.
Oh, how tiresome!
[She follows angrily].
All the rest have gone except the note taker, the gentleman, and the flower girl, who sits arranging her basket, and still pitying herself in
murmurs.
murmurs.
THE FLOWER GIRL Poor girl! Hard enough for her to live without being worrited and chivied.
gg
gg
THE GENTLEMAN
[returning to his former place on the note taker’s left]
How do you do it, if I may ask?
[returning to his former place on the note taker’s left]
How do you do it, if I may ask?
THE NOTE TAKER Simply phonetics. The science of speech. Thats my profession: also my hobby. Happy is the man who can make a living by his hobby! You can spot an Irishman or a Yorkshireman by his brogue.
I
can place any man within six miles. I can place him within two miles in London. Sometimes within two streets.
I
can place any man within six miles. I can place him within two miles in London. Sometimes within two streets.
THE FLOWER GIRL Ought to be ashamed of himself, unmanly coward!
THE GENTLEMAN But is there a living in that?
THE NOTE TAKER Oh yes. Quite a fat one. This is an age of upstarts. Men begin in Kentish Town
gh
with £80 a year, and end in Park Lane with a hundred thousand. They want to drop Kentish Town; but they give themselves away every time they open their mouths. Now I can teach them—
gh
with £80 a year, and end in Park Lane with a hundred thousand. They want to drop Kentish Town; but they give themselves away every time they open their mouths. Now I can teach them—
THE FLOWER GIRL Let him mind his own business and leave a poor girl—
THE NOTE TAKER [
explosively
] Woman: cease this detestable boohooing instantly; or else seek the shelter of some other place of worship.
explosively
] Woman: cease this detestable boohooing instantly; or else seek the shelter of some other place of worship.
THE FLOWER GIRL
[with feeble
defiance] Ive a right to be here if I like, same as you.
[with feeble
defiance] Ive a right to be here if I like, same as you.
THE NOTE TAKER A woman who utters such depressing and disgusting sounds has no right to be anywhere—no right to live. Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespear and Milton and The Bible; and dont sit there crooning like a bilious
gi
pigeon.
gi
pigeon.
THE FLOWER GIRL
[quite overwhelmed, and looking up at him in mingled wonder and deprecation without daring to raise her head]
Ah-ah-ah-ow-ow-ow-oo!
[quite overwhelmed, and looking up at him in mingled wonder and deprecation without daring to raise her head]
Ah-ah-ah-ow-ow-ow-oo!
THE NOTE TAKER [whipping out his book] Heavens! what a sound! [He
writes;
then holds out the book
and
reads, reproducing her vowels exactly] Ah-ah-ah-ow-ow-ow-oo!
writes;
then holds out the book
and
reads, reproducing her vowels exactly] Ah-ah-ah-ow-ow-ow-oo!
THE FLOWER GIRL
[tickled by the performance, and laughing in spite of herself]
Garn!
[tickled by the performance, and laughing in spite of herself]
Garn!
THE NOTE TAKER You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days. Well, sir, in three months I could pass that girl off as a duchess at an ambassador’s garden party. I could even get her a place as lady’s maid or shop assistant, which requires better English. Thats the sort of thing I do for commercial millionaires. And on the profits of it I do genuine scientific work in phonetics, and a little as a poet on Miltonic lines.
THE GENTLEMAN I am myself a student of Indian dialects; and—
THE NOTE TAKER
[eagerly]
Are you? Do you know Colonel Pickering, the author of Spoken Sanscrit?
[eagerly]
Are you? Do you know Colonel Pickering, the author of Spoken Sanscrit?
THE GENTLEMAN I am Colonel Pickering. Who are you?
THE NOTE TAKER Henry Higgins, author of Higgins’s Universal Alphabet.
PICKERING
[with enthusiasm]
I came from India to meet you.
[with enthusiasm]
I came from India to meet you.
HIGGINS I was going to India to meet you.
PICKERING Where do you live?
HIGGINS 27AWimpole Street. Come and see me to-morrow.
PICKERING I’m at the Carlton. Come with me now and lets have a jaw over some supper.
HIGGINS Right you are.
THE FLOWER GIRL [to
PICKERING, as he
passes her] Buy a flower, kind gentleman. I’m short for my lodging.
PICKERING, as he
passes her] Buy a flower, kind gentleman. I’m short for my lodging.
PICKERING I really havnt any change. I’m sorry
[he goes away].
[he goes away].
HIGGINS [
shocked at girl’s mendacity]
Liar. You said you could change half-a-crown.
shocked at girl’s mendacity]
Liar. You said you could change half-a-crown.
THE FLOWER GIRL [
rising
in desperation] You ought to be stuffed with nails, you ought. [
Flinging
the basket
at his feet]
Take the whole blooming basket for sixpence.
rising
in desperation] You ought to be stuffed with nails, you ought. [
Flinging
the basket
at his feet]
Take the whole blooming basket for sixpence.
The church clock strikes the second quarter.
HIGGINS
[hearing in it the voice of God, rebuking him for his Pharisaic
gj
want of charity to the poor girl] A reminder. [He raises his hat solemnly; then throws a handful of money into the basket and follows Pickering].
[hearing in it the voice of God, rebuking him for his Pharisaic
gj
want of charity to the poor girl] A reminder. [He raises his hat solemnly; then throws a handful of money into the basket and follows Pickering].
THE FLOWER GIRL
[picking up a half-crown]
Ah-ow-ooh! [
Picking up a couple offlorins]
Aaah-ow-ooh!
(Picking up several coins]
Aaaaaah-ow-ooh!
[Picking up a half-sovereign
] Aaaaaaaa,aa.aah-ow-ooh!!!
[picking up a half-crown]
Ah-ow-ooh! [
Picking up a couple offlorins]
Aaah-ow-ooh!
(Picking up several coins]
Aaaaaah-ow-ooh!
[Picking up a half-sovereign
] Aaaaaaaa,aa.aah-ow-ooh!!!
FREDDY [
springing out of a taxicab]
Got one at last. Hallo! [To
the girl
] Where are the two ladies that were here?
springing out of a taxicab]
Got one at last. Hallo! [To
the girl
] Where are the two ladies that were here?
THE FLOWER GIRL They walked to the bus when the rain stopped.
FREDDY And left me with a cab on my hands. Damnation!
THE FLOWER GIRL [
with grandeur
] Never you mind, young man. I’m going home in a taxi. [
She
sails
off to
the cab. The driver
puts his hand behind him and holds the door firmly shut against her. Quite understanding his mistrust, she shews him her handful of money.
Eightpence aint no object to me, Charlie.
[He grins and opens the door].
Angel Court, Drury Lane, round the corner of Micklejohn’s oil shop. Lets see how fast you can make her hop it.
[She gets in and pulls the door to with a slam as the taxicab starts
]
.
with grandeur
] Never you mind, young man. I’m going home in a taxi. [
She
sails
off to
the cab. The driver
puts his hand behind him and holds the door firmly shut against her. Quite understanding his mistrust, she shews him her handful of money.
Eightpence aint no object to me, Charlie.
[He grins and opens the door].
Angel Court, Drury Lane, round the corner of Micklejohn’s oil shop. Lets see how fast you can make her hop it.
[She gets in and pulls the door to with a slam as the taxicab starts
]
.
FREDDY Well, I’m dashed!
ACT II
Next day at 11 a.m. Higgins’s laboratory in Wimpole Street. It is a room on the first floor, looking on the street, and was meant for the drawing-room. The double doors are in the middle of the back wall; and persons entering find in the corner to their right two tall file cabinets at right angles to one another against the walls. In this corner stands a flat writing-table, on which are a phonograph, a laryngoscope, a row of tiny organ pipes with a bellows, a set of lamp chimneys for singing flames
gk
with burners attached to a gas plug in the wall by an indiarubber tube, several tuning-forks of different sizes, a life-size image of half a human head, showing in section the vocal organs, and a box containing a supply of wax cylinders
gl
for the phonograph.
gk
with burners attached to a gas plug in the wall by an indiarubber tube, several tuning-forks of different sizes, a life-size image of half a human head, showing in section the vocal organs, and a box containing a supply of wax cylinders
gl
for the phonograph.
Further down the room, on the same side, is a fireplace, with a comfortable leather-covered easy-chair at the side of the hearth nearest the door, and a coal-scuttle. There is a clock on the mantelpiece. Between the fireplace and the phonograph table is a stand for newspapers.
On the other side of the central door, to the left of the visitor, is a cabinet of shallow drawers. On it is a telephone and the telephone directory. The corner beyond, and most
of the side wall, is occupied by a grand piano, with the keyboard at the end furthest from the door, and a bench for the player extending the full length of the keyboard. On the piano is a dessert dish heaped with fruit and sweets, mostly chocolates.
of the side wall, is occupied by a grand piano, with the keyboard at the end furthest from the door, and a bench for the player extending the full length of the keyboard. On the piano is a dessert dish heaped with fruit and sweets, mostly chocolates.
The middle of the room is clear. Besides the easy-chair, the piano bench, and two chairs at the phonograph table, there is one stray chair. It stands near the fireplace. On the walls, engravings; mostly Piranesis
5
and mezzotint portraits.
gm
No paintings.
5
and mezzotint portraits.
gm
No paintings.
Pickering is seated at the table, putting down some cards and a tuning-fork which he has been using. Higgins is standing up near him, closing two or three file drawers which are hanging out. He appears in the morning light as a robust, vital, appetizing sort of man of forty or thereabouts, dressed in a professional-looking black frock-coat with a white linen collar and black silk tie. He is of the energetic, scientific type, heartily, even violently interested in everything that can be studied as a scientific subject, and careless about himself and other people, including their feelings. He is, in fact, but for his years and size, rather like a very impetuous baby “taking notice” eagerly and loudly, and requiring almost as much watching to keep him out of unintended mischief. His manner varies from genial bullying when he is in a good humor to stormy petulance when anything goes wrong; but he is so entirely frank and void of malice that he remains likeable even in his least reasonable moments.
BOOK: Pygmalion and Three Other Plays (Barnes & Noble Classics Series)
11.09Mb size Format: txt, pdf, ePub
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